Guest lecture: Alex Murray

Murray Poster

On Thursday April 20th at 6.30pm the Modern and Contemporary Colloquium (MACC) will host its second guest speaker of the Spring 2017 semester, Dr. Alex Murray. The lecture will take place in Room 106 of the NYU Department of English at 244 Greene St. It is entitled ‘Decadent Lexicography’.

Click here for a link to Dr. Alex Murray’s bio and research interests at Queen’s University, Belfast. He is currently editing two books: Decadence: A Literary History (Cambridge University Press), and with Kate Hext Decadence in the Age of Modernism (Johns Hopkins University Press).

Wine and nibbles will be provided. If you have any questions about this event please email Richard Porteous (richard.porteous@nyu.edu).

About the lecture:

The term ‘decadence’ is notoriously difficult to define. Within literary studies it refers to a specific set of formal developments and thematic concerns that emerged in French literature of the Second Empire, and then in British literature of the 1880s and 1920s. Yet the same word has also circulated since the seventeenth century to express anxieties that a society, people or cultures are entering into a period of irrevocable decline. Over the course of the twentieth century its dominant use has become as a banal synonym for sex, luxury and excess, used to sell perfume, chocolate, or erotic novels. Critics of decadence regularly lament the sad state of affairs, and usually reach for the Oxford English Dictionary’s definition of the term. While that definition is routinely regarded as lacking the nuance to describe the flowering of the transgressive and experimental literature of the 1880s and 1890s, it is still invoked as some sort of lexicographic authority. The publication of the first two volumes of the OED (A-B, C-D, 1884-1894) were coterminous with the scandalous success of aestheticism and decadence, and Murray’s paper maps the politics of defining these and other affiliated terms in the period, arguing that the OED’s processes for defining these terms suggests a hostility to progressive art lurked behind the ‘objective’ facade of the OED’s methodology. The paper proposes that within the debates over the term ‘decadence’ in the period 1880-1920 we see its meaning shift from a moralizing critique of contemporary society to a complex synonym for the dynamic process of evolution, a meaning denied both by the OED’s definition of the word and by the historicizing practices of literary studies.

The image on the poster is an adaptation of a work by British book illustrator E.J. Sullivan (1869-1933). Thank you to Dr. Murray for the suggestion.

Guest lecture: Peter Robinson

Peter Robinson talk - Notebook Image.jpg

On Friday March 3rd at 6pm the Modern and Contemporary Colloquium (MACC) will host its first guest speaker of the Spring 2017 semester, Professor Peter Robinson. The lecture will take place in Room 106 of the NYU Department of English at 244 Greene St. It is entitled ‘Sound Sense and the Composition of Poetry’.

Professor Robinson has very kindly shared with us the first chapter from his forthcoming new book,  The Sound Sense of Poetry, which attendees are invited – though not obligated – to read in advance of the lecture. To ask for a .pdf of the chapter, or if you have any queries about the event, please email Richard Porteous (richard.porteous@nyu.edu)

The Sound Sense of Poetry is to be published by Cambridge University Press in the coming year. Its project is to explore the relationship between the compositional attunements of poetic composition, called here the ‘sound sense’ of a poem, and the process of reading techniques that enable this sound sense to be incorporated in reception. In the course of discussing such much-used binaries as meter and rhythm, sound and sense, reason and rhyme, and thought and feeling, this discussion reassesses the roles of writer and reader agencies, their selves and subjects, reevaluating, too, the place of promissory activity and of ‘uptake’ in speech act theory when applied to the poetic art.

In his lecture, Peter Robinson will review the sources of his new book’s convictions in his experiences of composing poetry. At the heart of the discussion will be the impulse and motivation in the evaluation and revision of draft texts, and the principles involved in deciding that a work is completed.

Click here for a link to Professor Peter Robinson’s bio and research interests at the University of Reading, England.

Guest lecture: Peter Boxall

boxall-poster

 

The Modern and Contemporary Colloquium (MACC) of the Department of English at NYU is delighted to announce its second guest lecture of the Fall 2016 semester. On Wednesday November 10th at 6pm in Room 306 of 244 Greene St., Professor Peter Boxall (University of Sussex) will give a lecture entitled ‘Starveling Prose: History, tautology and biomatter in the later fiction of Don DeLillo.’ The lecture will last approximately 50 minutes, at which point attendees will be invited to participate in a seminar-style discussion of the lecture with Professor Boxall.

Click here for a link to Peter Boxall’s bio and research interests on the website of the University of Sussex, where he is the Deputy Head of the School of English and a Professor of English in the Centre for Creative and Critical Thought.

The lecture is open to all. Wine and nibbles will be provided. If you have any questions about the event please email Richard Porteous (richard.porteous@nyu.edu).

About the lecture:

This paper suggests that DeLillo’s later prose, from The Body Artist to Zero K, develops a singular formal mechanism for tracing the relationship between history and the embodied subject – one that derives from a forensic, minimalist attention to the work of tautology.

DeLillo has been interested in tautology from his earliest writings, an interest that is particularly manifest in the Wittgensteinian poetics of End Zone, and this interest has always turned around the possibility that tautology might give us access to a kind of latent historical force, one which cannot find expression by other means. But in his later work, the paper will suggest, the tautology, or more precisely the incomplete, assymetrical tautology, assumes an increasingly central importance. From the odd repetitive clauses crafted by Mr Tuttle in The Body Artist (a character whose very name carries an echo of the tautology), to similar enclosed and self-referring speech acts that run through Point Omega and ‘The Starveling’, these late fictions fall repeatedly into the strangely evacuated space of the tautology. In doing so, they enact a kind of exhaustion, perhaps, a kind of failure of expression that is a familiar constituent of late aesthetics. But the paper will suggest that these oddly unbalanced structures do not simply perform a vacuity or failure of reference, but contain the possibility of a new way of thinking about the pressure that history exerts on the body – a new way of thinking about the relationship between history, aesthetics, and contemporary biomatter.

Guest lecture: Michael Jennings

jennings-poster

The Modern and Contemporary Colloquium (MACC) is delighted to announce its first guest lecture of the Fall 2016 semester. On Monday October 17th, at 6.30pm, in the Event Space of 244 Greene St., Professor Michael Jennings will give a guest lecture on the topic of ‘Walter Benjamin, Judaism, and the Paradoxes of Theology.‘ The lecture will be an excellent and provocative ending to MACC’s reading group on the correspondence of Benjamin and Scholem, but you certainly do not need not to have attended the reading group to join us for the lecture. There is no preliminary reading for the event.

The lecture is open to all. Wine and nibbles will be provided. If you have any questions about the event please email Richard Porteous (richard.porteous@nyu.edu).

Michael W. Jennings is the Class of 1900 Professor of Modern Languages in the Department of German at Princeton University; he holds associate positions in the Departments of Art and Archaeology and French and Italian and in the School of Architecture. Jennings focuses his teaching and research on European culture in the twentieth century. In addition to literature, he teaches on topics in cultural theory and the visual arts, with special emphasis on photography. He is the author of two books on Walter Benjamin: Dialectical Images: Walter Benjamin’s Theory of Literary Criticism (Cornell University Press, 1987) and, with Howard Eiland, Walter Benjamin: A Critical Life (Harvard University Press, 2014). He serves as the general editor of the standard English-language edition of Benjamin’s works, Walter Benjamin, Selected Writings (Harvard University Press, four volumes, 1996ff.) and the editor of a series of collections of Benjamin’s essays intended for classroom use, including The Writer of Modern Life: Essays on Charles Baudelaire (2007); with Brigid Doherty and Thomas Levin, The Work of Art in the Age of its Technological Reproducibility and other Writings on Media (2008); and One Way Street (2016).

For those interested: the image in the poster is a grayscale rendering of Anselm Kiefer’s ‘Urd, Verdandi, Skuld (The Norns)’, 1983. The piece was in part Kiefer’s response to reading Benjamin’s conception of history.

Benjamin-Scholem Reading Group

2015_42_walter_benjamin

 

“The relationship between Walter Benjamin and Gershom Scholem is surely one of the extraordinary friendships of the twentieth century” (Robert Alter, New Republic). Yet the letters they exchanged between the years of 1932 and 1940 chronicle a difficult period in a relationship that, in Anson Rabinbach’s words, “had reached its ‘zenith’ many years before.” By the time the letters begin, a few months before Hitler’s rise to power, Scholem had already emigrated to Palestine (in 1923) and Benjamin had already opted for Marxism, leading to a number of tensions and frustrations between the two intellectuals. The correspondence, tragically interrupted by Benjamin’s suicide on the Spanish border on September 26, 1940, provides us with an extended discussion of the fate of the Jewish and German intellectual tradition on the eve of catastrophe.

The reading group will culminate in a guest lecture by Professor Michael Jennings (of Princeton University) on October 17th. The lecture will take place in the ground floor event space of NYU’s English Department at 244 Greene St.

Dates and times:

Thursday September 22nd, 6.30pm. 244 Greene St., 8th floor. (Seminar 1)

Thursday September 29th, 6.30pm. 244 Greene St., 8th floor. (Seminar 2)

Thursday October 6th, 6.30pm. 244 Greene St., 8th floor. (Seminar 3)

Thursday October 13th, 6.30pm. 244 Greene St., 8th floor. (Seminar 4)

Monday October 17th, 6.30pm. 244 Greene St., 2nd floor. (Guest lecture)

If you would like a .pdf of the reading, please email richard.porteous@nyu.edu.

Guest lecture: Vincent Sherry

Guest lecture: Vincent Sherry

Bare Death: The Failing Sacrifice of the Great War

Professor Vincent Sherry (Washington University in St. Louis)

Tuesday March 22nd, 5pm

NYU English Department, 244 Greene St, Event Space

Professor Vincent Sherry has written acclaimed work on topics including modernism, decadence and the first world war. His books include Modernism and the Reinvention of Decadence (Cambridge 2014), The Great War and the Language of Modernism (Oxford 2003) and Ezra Pound, Wyndham Lewis and Radical Modernism (Oxford 1993). Now, on March 22nd, he is coming to NYU to give a guest lecture entitled ‘Bare Death: The Failing Sacrifice of the Great War.’ After the lecture there will be time for questions and a drinks reception.

The event is free, and there is no need to RSVP. if you have any questions, please contact nyumoderncolloquium@gmail.com

For more on Professor Sherry’s biography click here.

Co-Sponsored by the Modern and Contemporary Colloquium

NYU Cultures of War and the Post-War Research Collaborative

Henri Bergson Reading Group

Henri Bergson Reading Group

This April, the Modern and Contemporary Colloquium will be hosting a reading group mini-series on Henri Bergson for M.A. and Ph.D. students in the English and Comparative Literature departments at NYU and other New York colleges. Bergson’s 1889 Time and Free Will (originally titled Essai sur les données immediates de la conscience)in which Bergson explains the theory of duration (la dureé), was an important work for the philosophy of time and consciousness, for literary modernism, and for twentieth century continental philosophy.

Whatever you work on, getting to grips with Bergson’s Time and Free Will could be advantageous. We will be reading a modern English translation. Here are the exact details:

The book is divided into three sections; correspondingly, the reading group will meet three times. The meetings will take place on April 6th, 13th, 20th at 5.30-7.30 in 194 Mercer Street, Room 205. There will be a fourth session on April 27th: this final event will be an opportunity to discuss the text, and how it might inform our work, not in a seminar but in the more casual setting of a wine reception. This last will take place in the NYU Department of English Event Space (244 Greene St, Room 102) at 5.30pm.

Click here to RSVP.